One feature that really disappoints me at times on the Super 6 is how LFO 2 is the only LFO for mod source, when LFO 1 contains so many more possibilities.
LFO 2 basically allows you to modulate with a triangle (or sine?) wave, but if LFO 1 could be a mod source, you’d be able to have square, random, saw, and the tracking LFO for modulation.
Think about having the random LFO modulating filter resonance. Or the saw wave set to “once” would essentially be a long attack envelope that is assignable anywhere. Or the square wave modulating Delay Time and synced to the arpeggiator, meaning you could essentially have 2 delay times that swap between arpeggiated notes. There are obviously tons of options.