Your patches in 2024

Interested to hear patches (or music!) that people have been making with their various Supers this year. Just got my Super 6 recently and I’ve been amazed at how enjoyable the patch making process is.

It’s been a bit quiet on this side of the forum, so would love to hear what people have been making. Here’s a few of my first ones (btw - if anyone can tell me how to properly embed Soundcloud links…lmk! :smile:):

  • A clicky synth-y organ. Usually not at all the time of patch I like to make, but really enjoyed the simple percussive element + the sort of ‘sinews’ and variations you can hear when holding down chords
Folie · ClickSynthOrgan - UDO Super 6 patch
  • Fizzy keys! With envelope 1 set to quick attack + few other things, ended up with some quick sizzles but interesting plucks almost with the delay. In the second part of the clip I elongate most things on the envelope and it turns into a nice evolving pad.
Folie · FizzKeys - UDO Super 6 patch
  • Pick pad with fun bouncy resonance. The sound is lost a bit on Soundcloud but I really enoyed the sharp attack sound, the bouncy resonance if you play quicker and then like super saw + choir sound almost when holding notes.
Folie · PickPad - UDO Super 6

https://www.dropbox.com/scl/fo/42y8dauss7qgnizd7cero/AMxjUs4fWVpeUxKwu1ASEDk?rlkey=xzjl3ww9e7b6timhjj9m7yvym&st=av55vu8k&dl=0

3 Likes

I’m never one to pass up an opportunity to share my music. This year I released my first ever album. As the pandemic was winding down, I ended up forming a writing duo with my oldest daughter and then my youngest son joined in. We wrote a 12 song Alt-Synthpop (or maybe Prog-Synthpop album).

We are called Waveform Mountain and our album PROCESSING… turned out amazingly cool.
Stream PROCESSING… Here

The Super 6 made it onto many of the songs, but the most prominent part is the deep arp sound that starts off Same Page.

I’d love to hear any feedback.
Jon

2 Likes

That arp is such a Super 6 sound! (meant in the best way)

Interested to hear what you felt the 6 did or didn’t need in terms of additional FX (beyond the usual compression/EQ etc.) when taking its sounds from instrument to track.

I don’t think I added any post processing to the Super 6s tracks on any of the songs, other than things that went across the entire mix bus.